Narratives are often written about women being pushed around by oppressive men. In fact, living in today’s world with one of the three presidential candidates being a woman, it is hard to relate to many of these types of tales, but Ibsen‘s vividly realistic description of a life lived in the shadow of a man makes this situation easy to imagine and even easy to identify with.
This play does not paint a picture of a bright and colorful life; instead, it digs into the plagues and tribulations of the often forgotten and neglected middle class. There is no sugar-coating, and there is no cushioning. This story is presented through the eyes of the middle class worker and it depicts real life situations and obstacles. The supernatural is a distant notion in “A Doll’s House”. This narrative consists of real people, real troubles, and real events.
“A Doll’s House” is absolutely a form of realism. When I think of what makes life “real” and unique, I think of all of the quirky and quaint actions that go on throughout a day. These interactions are really hard to capture in a narrative because they seem trivial, but they set the stage for reality. An example of this in “A Doll’s House” that grounded this narrative and helped to assure me that these people were absolutely realistic was when Torvald asked Nora if she has “given into her sweet tooth”. These little seemingly insignificant comments are, to me, what makes a story seem realistic. Another example is the fight over money. What real life family does not, at one point or another, argue about frivolous spending habits? This is relatable and slightly endearing.
The story line of “A Doll’s House” contains no extreme plot twists or heavenly influences, but instead, it depicts the life, lies, and weights of ordinary people with everyday problems. This play culminates around a shared forgery and fear of being tarnished in the face of society. This may seem basic and slightly dull compared to death, insurmountable love, and marrying your mother, but these are the big problems that face real people working hour after hour everyday. Reputations are at stake and there is nothing more important that maintaining a good reputation. In addition, when Nora is confronted with the idea that the poor decisions that she makes in her life may negatively affect her children, she is terrified. In reality, there is truly nothing more important than family and Nora is scared that she has dishonored her children and has made them into criminals.
Representation of real life dilemmas and trials pulls the reader in because the reader can relate to the lives being portrayed. Everyone has felt ruled over by an authoritarian and with that established universal common ground; we are brought together by the realistic depiction of life through narration.(514)
Thursday, February 28, 2008
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5 comments:
Reputations, money, real-life dilemmas, and, as you put it, "life lived in the shadow of a man." Good job describing the elements Ibsen includes in the mix which makes up this play.
Abby,
Like you, it was difficult for me to relate to the society illlustrated in "A Doll's House" - the stilted Victorian epoque of superficiality and patronistic gender imbalances. Isben provides a lens into this distant life and "sets the stage for reality," as you said, through his depiction of character interactions and "seemingly insignificant comments."
Your blog made me ponder the significance of small details that I often overlook as a reader: details which breathe life into stories of distant realities.
Great job!
-Emi
Abby--
I like the approach you took in analyzing your play by analyzing what makes a story real. You bring up some good points about "A Doll's House" that I failed to realize but upon contemplating further tend to agree with you on. Its also interesting to note your opinion towards this realism as you seem to appreciate it more than I would have but thats what makes everyone unique.
I really like your second to last paragraph. I think you made a lot of valid points. Some authors are so creative that they forget to write about what is actually going on around them.
I think you did a really good job interpreting the author's motives when he wrote A Doll's House.
On this day I must bid my aristocratic counterparts farewell. I shall not go into detail of what has driven me to such action, but it was the topic of Gary’s speech. I have authored a brief, might you say, rebuttal, which can be read here.
Jane Austen (48)
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